This new technology also allowed for super-fast attack and release times (20 µS to 800 µS attack, 50 mS to 1.1 seconds for release). I recently did a mix where I put an 1176 as my first vocal compressor with 12:1, fastest attack and release. It is capable of incredibly fast attack and release times due to its FET circuit, and infamously features “backward” attack and release … How backwards it may sound, "consistent compression" is the key to good sounding compression IMO. I notice no one over uses the fastest attack setting on an 1176 and I'm curious why. To what degree is once again material dependent. There are controls for input and output gain, attack and release times, and buttons for ratios of 4:1, 8:1, 12:1 and 20:1. Notable is the lack of a threshold control. I‘ve found the attack on an 1176 the be the key to how intelligible vocals will be in a mix. An 1176 style compressor will be fundamental in catching the peaks of your performance so that your signal is nice and even throughout. In this instance, he sets a relatively slow attack and the fastest possible release. The attack and release are program dependent, as is the ratio. Now raise the input to get upwards of 6dB gain reduction. The 1176 controls are actually backwards, so a fast attack/release is actually fully clockwise! Here‘s a way to approach it: Start with attack and release both on the fastest setting, ratio 12, 20, or even „all in“. I can still remember when I actually heard the sound of compression for the first time. Then I'd smack them with an 1176 on a fastest release and slow-ish attack to make them truly stand out in a mix. Step 7: Unmute your speakers and begin monitoring the 1176LN output. For a pop style vocal I tend to go for a 12:1 ratio with a fast attack and fast release. The 1176 became an instant favorite with producers and engineers because of its unique lightning-fast attack and release times (20 µS to 800 µS Attack, 50 mS to 1.1 seconds for Release), its Class A output stage, and its wide range of sounds, ranging from a very subtle, near-transparent compression at 4:1, to its most notable setting, the “All Buttons In” mode, where all … The "smacking" here would be much more smoother and easy going since the signal is already tamed down with the LA-2A. Share . Quick Tip: Remember that the Attack and Release controls on the 1176 compressor/limiter operate in the opposite direction you might expect. 1176 Attack and Release. Instructors had given me countless demonstrations, but I could never really hear the difference between the various settings—especially when it came to the attack and release ti. The Attack is at 3 and the Release at 7. The 1176 will faithfully compress or limit at the selected ratio for transients, but the ratio will always increase a bit after the transient. Turn the Attack knob up for a shorter attack and down for a longer attack. Share this page: By Sweetwater on Aug 8, 2012, 12:00 AM. Upon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion. 1176 fastest attack and release. This is true for any of the 1176's ratio settings, and is part of the 1176's sound. Be careful of the “backwards’ attack and release settings when using the 1176. Turning them counterclockwise slows down the attack and clockwise speeds it up. The Urei 1176 is one of the most popular hardware compressors in existence. Nevermind (for now) if it sounds squashed. The original manual for the 1176 said it was "a major breakthrough in limiter technology—the first true peak limiter with all transistor circuitry offering superior performance and a signature sound." At the source, raise the level of the input signal until the 1176LN meter shows optimum signal strength (around 0 VU, with In this blog, we’ll break down everything you need to know about the attack and release settings … Note that on an 1176 (or an 1176 emulation like this), the knobs for attack and release are backward from what's standard. Step 6: Set the Attack and Release knobs fully counterclockwise (in the case of the Attack knob, to its OFF position). This seemed to deal with the peaks and was followed by an la3a for more overall leveling.

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