A big problem with the FS7 was the menu operation. So whether buying new lenses, or making use of lenses you’ve already purchased, FS5 II … Both these factors help particularly when it comes to skin tones and skin highlights. I really was green with all the feature but nevertheless I wanted to just try somethings. Once shot, all we needed to grade the S-log3 footage was a simple LUT. The URSA Mini is also cheaper and does shoot 4K — 4.6k in fact — but has the drawback of weighing about 5lbs and lacks the ease of use of the FS5. The slow menu of the FS7 was a big problem for a camera at its price point. In fact skin tones are an area for which Sony placed a lot of emphasis when they developed this mode, and it shows. I was happy with the results of the 70-200, but I had the 85 set at 1.3 so it was difficult to follow the subject and keep it in focus. SDI Output: 1 x BNC HD/3G-SDI It’d be nice to not have to deal with that much light. If you’re used to DSLRs and mirrorless cameras, then you might also be happy to find that the FS5 is not bogged down by having a 30 minute record time limit, a short battery life or any overheating issues, and it has 2 XLR inputs. You mentioned that it was not a very good lens, but did not list a lens you would prefer. ND on the FS5 can be selected either by using a traditional rotary knob, or by putting the camera into the unique electronically variable ND mode. I've purposefully done this in some very challenging mid-afternoon light using only a basic reflector to add some fill to the shadows. We set out an ambitious task for this review. Weight Body Only:  29.2 oz / 827.8 g The FS5 and lens use Sony’s E mount. Sony have effectively taken what they have learnt from developing the colour science for the Venice and put their knowhow into a new default colour and gamma setting for the FS5M2. This allows the amount of ND to be dialled in with almost infinite precision. A camera capable of run and gun … Despite the 4 second buffer limitation, this is enough to capture fast moving subjects, especially when it is placed into "End Trigger" mode, which buffer records the four seconds of footage prior to the record button being pressed. It’s really everything that would improve photo-first cameras. Our review sample was supplied with a Sony 18-105mm f/4 zoom lens. Because of its handle, it was easy to carry when not shooting. A native ISO that high is a big bummer. Effective Picture Size: (H x V) 3840 x 2160 Your mileage may vary of course depending on the conditions, but in my tests this would appear to be just about right. If log shooting is your thing, or you need to shoot for HDR in general, the camera still includes the option of S-log2 and S-Log3, as well as HLG capabilities. The grip can be rotated with the press of a button, so the left hand remains free for focus control. It’s easy to love this camera. It seems with this release that Sony intended to make a camera that feels more like the C-100 Mark II. I must stress strongly that this is nothing to do with noise performance or dynamic range. It seems with this release that Sony intended to make a camera that feels more like the C-100 Mark II. If you have a great idea you’d like to share with our readers, send it to editor@videomaker.com. Nevertheless, this is all solidly put together as you would expect. I enjoyed reading your article about the FS5, a camera I recently purchased, but since I am new at video I went with the kit lens. The new camera looks far more realistic in comparison. Starting the FS5M2 is a fast affair. To use the FS5M2 is a pleasure. We shot with the Sony E PZ 18-105mm f/4 G OSS, the kit lens for the PXW-FS5. Because of the cost, we would most definitely label the ideal users of the FS5 as professional. During my tests I also used an Atomos Shogun Inferno with slow motion. For output it has one SDI, and one full size HDMI port. }); Videomaker is always looking for talented, qualified writers. formId: "fe149f4a-935a-4951-8314-b9655648bb47" The camera we were supplied with had one BP-U30 battery, the smallest one that can be used with it. Thats a lot of light to compensate for. I have not been able to commit to the Metabones adapter since everything I have read about it indicates it has difficulty with auto focus. Price: $125.00 1 review(s) Of note is the ND control. All the big changes are inside. The new Sony PXW-FS5M2 has had a lot of hype recently for its Venice-stye colour science. Chris Monlux is a native of Northern California and is Videomaker’s Multimedia Editor. A flip of a switch and you are ready. If you are an event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is for you. One last big improvement over using DLSRs or mirrorless cameras  is that all of your controls are at your fingertips and not in-menu. This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. Just a few knobs to loosen and the location of the LCD can be personalized. Like the C100 Mark II, the Sony FS5 is an excellent camcorder with a chance to convince DSLR users to step up to a more professional system. As someone who is not too familiar with color correction/grading, I am leaning towards the C100ii. I've included some comparison shots between the two cameras standard modes below. File … Not only is the colour seemingly far more accurate on the new camera, but the colour shades themselves are much more subtly handled, particularly in the highlights. With little investment needed for accessories, flash memory and batteries, it’s good to go straight from the store. Effectively what you have with the new colour science is a very pleasing look that captures a very nice amount of dynamic range that can be used straight out of the camera with minimal tweaking, save for user errors such as slight under or over exposure. Here's the link ... One other feature of the FS5 neglected in the review, and likely a surprise to just about everyone - built in GPS! Switches and knobs are not valued highly enough when evaluating many small form factor detachable-lens cameras. For example, you can connect and control Sony … Want to change the white balance? The picture quality is superb and the form factor is easy to use — but those things don’t come cheap. The original FS5 remains a current member of the Sony line-up, and if you have the additional options for RAW and super slow motion installed the only thing you will really be missing is the new colour science. If we were to buy this camera, we’d buy it without the kit lens. Find helpful customer reviews and review ratings for Sony PXW-FS5 XDCAM Super 35 Camera System Professional Camcorder, Black (PXWFS5) at Amazon.com. An unfortunate aspect of the PXW-FS5 is that the minimum ISO for non S-Log picture profiles is still high at 1,000. Headphone: 1 x Stereo mini jack But perhaps more usefully the 240fps continuous recording mode offers a slow motion ability not heard of in any other camera of this price except for the original FS5 with the optional additional functionality enabled. I felt that the kit lens would be easy to work with while learning about the FS5. It ticks all the boxes for such a camera, and then ramps it up with its new colour science and fantastic slow motion abilities. Alas, that might be Sony’s next camera, but for today we’ll just have to stay in want. Higher speeds up to 960fps are possible but at the expense of resolution. It offers wireless file transfers of full resolution via Wi-Fi to an FTP server, plus wireless streaming to MPEG TS receivers and computers for remote monitoring. Shutter Speed:  60i: 1/8 to 1/10,000 Once we began shooting, there was no avoiding what we experienced first when shooting in S-Log3: a minimum ISO of 3,200. The Sony FS5 is pretty widely known as a very popular camera. Shooting in UHD 4K with its Super 35 image sensor, its image quality is superb. Went out this past weekend to test out my new Sony FS5 Mark 2. This manual comes under the category Camcorders and has been rated by 1 people with an average of a 7.5. All you need are SD cards. For this review we shot on two Sony U3 Class 10 SDXC I SD cards. AC Adapter:  12 VDC Rotating the grip was easy, which made it possible to quickly find the optimal grip no matter the shooting angle. Again this isn't high art, but particuarly in the factory shows how the camera will look in the type of everyday circumstances that shooters often find themselves in. Click here to contact a sales representative and request a media kit. We felt that the ND being linearly adjustable is a great feature and a no-brainer. It is just about the right size. Using royalty-free stock music in your next project is one way to cut costs without sacrificing quality. The ND is linearly adjustable, making getting the right exposure not only possible but easy. The FS5M2 is a light-weight camera. Sony PXW-FS5M2 4K XDCAM Compact Handheld Camcorder with Super 35 CMOS Sensor and 18-105mm f/4 G OSS E-Mount Zoom Lens - With Sony BPU60 Rechargeable Lithium-ion 56Wh Battery … The LCD for the PXW-FS5 is the same as the FS7, however unlike with the PXW-FS7 where it felt lightweight and cheap considering the cost of the camera, the LCD fit the smaller form factor better and felt more in line with the value of the camera. Placing both cameras into RAW output, if you have the option installed on the Mk1, will give you very similar results. We first noticed the camera’s ergonomics, influenced by both its weight and the grip integration. We were discouraged at the minimum native ISO of 1,000 and even more unwelcome is the minimum ISO of 3,200 in S-Log3. Overall, the picture quality from the lens was nice, but it’s functionality was not so impressive. The expanded flexibility of having onboard XLR inputs, a grip that makes handheld shooting easier and linearly adjustable ND will make catching the right moment easier, allowing for better results. I can't say that these are mounted in the most intuitive of places (I had to search around for the second input), but with such a small camera body it isn't always easy to find an easy placement for these. Audio Input: 2 x 3-pin XLR It has a power zoom function with a consistent aperture through the throw of the lens. Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS It uses the Sony E-mount lens system, which is known for its ability to be easily adaptable to the many different popular lens types out there such as Canon's ubiquitous EF Mount. The adjustable LCD screen was easily rotated into a storable position. Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. Sony did a lot of things right with the FS5 that, in our opinion, they got wrong with the FS7. Its overall appearance is literally that of a shrunken FS7. Sony first introduced the electronic Vari ND Filter technology on their X180 and X160 cameras in 2015, but the feature received more attention when it was implemented in the Sony FS5 … As is usual for Sony cameras there are a good number of assignable buttons. The original FS5 looked great, but in comparison to the FS5M2's new colour setting the first camera positively looks flourescent. We feel that the Sony PXW-FS5 has great build quality, image quality and value compared to its competition. With its adjustable grip, it’s reminiscent of the Canon C-100 and C-300 form-factor. There are a few notable changes between the two cameras, namely a different codec with XAVC Long, 4K shooting in only UHD without the option for DCI 4K and a built-in variable ND with the addition of a linear adjustment from 1/4 to 1/128. At release, the MSRP of $6,700 puts the FS5 in the same space as the Canon C-100 Mark II at an MSRP of $5,700 and the Blackmagic Design URSA Mini 4.6k at $4,995. Presently, despite the need to have an external monitor/recorder this makes the FS5M2 the most affordable way to record full 4K RAW slow motion over and above 60fps. Plus, the FS5 will shoot UHD 4K in 24 and 30 fps at 100Mbps. This is just a minor niggle and it is one that could be sorted out in firmware. The sensor delivers 14 stops of dynamic range and can shoot up to 960 fps in burst mode. The value for us was just not there with the PZ 18-105mm f/4 G OSS; we’d just rather spend the saved money on a better piece of glass. The new colour is very good indeed, but S-Log and raw shooting are also a very important capability for this camera as you will see. These same fixing points are also intended for the camera's supplied LCD display. It was very slow to respond and just not conducive to changing any menu option quickly. But now Sony has released the FS5M2, an addition to the FS5 fleet rather than a replacement, since the original version will remain very much for sale as a current camera. It’s good that the FS5 has a variable neutral density (ND) filter because without it that minimum ISO would be a huge problem. But once you see them, boy is it hard to 'unsee' them! Another great improvement with the FS5 is that there is now a viewfinder. When loaded with two cards, the FS5 can simultaneously record proxy files along with your desired resolution with the same name and timecode. Usefully there are three record buttons. Lastly, it’d be awesome for Sony to give this high-end camera a full frame sensor, but now we’re just dreaming. I have heard other experts talk about Canon glass as being preferred by them and I have been a Canon shooter for a few years and have the 70-200 f/2.8L mark ii, the 85 f/1.2L mark II and the 17-40 f/4. The 35mm Equivalent is 27-158mm. Walking around with the camera, we shot buildings, the water, onlookers and cars in traffic. Take a tree leaf for example. What's it like in the real world, and is it worth the upgrade? Recording Format: XAVC Long, XAVC Proxy, H.264 / AVC, 4:2:0 8-bit, MP4 wrapper, AVCHD With a bit of deft practice it should become second nature to move around these settings quickly. This dedicated rig includes an adjustable … Shooting from midday to about dusk, we were able to challenge the dynamic range in situations that had dark shadows and bright sun light. I know that the Sony FS5 is better on paper but I feel as if you can't beat the natural color and functional ease of the C100 Mark II. Audio input is via two XLR in sockets. Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom The Inferno takes a few seconds to recognise the output, especially when the FS5M2 is switched into S&Q mode. Your decision will of course be based upon the final output requirements and budgets etc. It felt nice in-hand, allowing simple shooting at both low and high angles. The Sony FS5 II is the newest addition to Sony’s lineup of professional super 35 sensor cameras and its features outperform its predecessor in some ways (but not that many), especially the … With over 50 contributors worldwide, full-time developers, editorial, sales and marketing staff, it is the go-to site for informed opinion and know-how for the quickly changing video, film and content creation industries. The FS5M2 sells for around £4300+vat ($4800 USD). Go here to download full resolution screen grabs that compare the different standard settings on the two cameras. If it’s a video-centered interchangeable-lens camera you are after, the FS5 is best in its class. Despite the original FS5 having been available for while now, not everyone reading this review will be familiar with the camera directly as a user. Save my name, email, and website in this browser for the next time I comment. At first, the grip felt strange because it requires multiple fingers to operate. FS5M2 review: Hollywood-style colour science without having to grade, Go here to download full resolution screen grabs. Digital video, photography, television and film, we have it covered, Cutting and assembling raw footage, adding music, dubbing colour correction, sound effects and more, Sound design, mixing, recording, microphones, audio correction, Keep informed on the latest apps, tools, software, devices and latest tech news, Easy to follow tutorials for all levels across all topics. The big question on existing FS5 owners lips will be whether the new camera renders their current one obsolete. Thank you. The PXW-FS5 is a more compact and far lighter camera than the PXW-FS7, coming in at only 1.76lbs. Even so, the FS5M2 has a low power draw of around 12.5w with the LCD and EVF turned on, meaning that one BP-U30 can last roughly 2hrs continuously. This way as soon as you press record on the M2 body the external recorder will kick into action. Is it everything on you want? The PXW-FS5 doesn’t have a short battery life like many mirrorless cameras and doesn’t have any overheating issues, so continuous recording can last till the battery dies or your media fills up. From what we can tell the unit looks exactly the same on the outside except for the label and a different colour ND dial.

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